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rical work of art to be viewed from any vantage point. The main compositional elements of church architec ture were the subordination of the roofs of the side compartments to the central one, symmetry, and the expression of the interior space of the building’s exte rior. Close harmony between plan and elevation is per haps unique. The urge to express on the exterior each element of the interior space is a characteristic of Ukrainian and especially ecclesiastic architecture. The picturesque quality of Ukrainian wooden architecture was achieved through the variety of roof designs. Al though the creative genius of master carpenters reached its peak in the innovative and daring structures of east ern Ukraine, the western regional variants were charac terized by a wealth and diversity of forms and the pres ervation of archaic features. Ukrainians’ profound attachment to timber architec ture can be seen in their desire to perpetuate in their new settlements the building traditions of their fore fathers. Thus, it is not surprising that not only the early Ukrainian settlers in the United States but also contem porary Ukrainian-Americans have striven to maintain in their ecclesiastic architecture the traditional images of their specific cultural group. The exhibit has been guest-curated by Titus Hew- ryk, Director of Facilities, Development of the University of Pennsylvania. A 112 page catalogue, written by Mr. Hewryk and illustrated by 200 photographs, drawings and a map, will accompany the exhibit. The catalogue is published in separate English and Ukrainian language editions. The intricately detailed scale models were built by the artist Bohdan Pevny. The exhibition was exqui sitely designed by Zenon Feszczak, Art Director of the Port of History Museum in Philadelphia, Pa. A slide/tape presentation in English and Ukrainian languages will also be presented. ПРАКТИЧНІ ПОРАДИ ПОДАЛА ВІРА КУШНІР, 83-ій ВІДДІЛ СУА, НЬЮ-ЙОРК 1). Щоб заощадити електрику і час під час пра сування, треба дошку до прасування накрити гру бою алюмінійовою фолією. Тоді тепло грітиме також через спід прасованої речі, а це приспішує і полегшує процес цієї праці. 2). Вложений кусок білої крейди поміж штучну біжутерію запобіжить оксидуванню заліза і біжуте рія не буде чорніти. 3). Якщо плястичний папір "Saran Wrap” залі питься і тяжко знайти його початок, треба вложити його на 10-15 хвилин до холодильника (Freezer). 4). Щоб наповнити кімнату приємним, запашним ароматом, можна кілька крапель парфуми влити на жарівку перед ЇЇ засвіченням. The Ukrainian Museum is Icoated at 203 Second Avenue (at 12th St.), New York, N.Y. 10003, tel: (212) 228-0110. It is open Wednesday through Sunday, 1-5 pm. Admission is $1.00, seniors and students 50Ф, child ren under 6 free. This exhibition is funded, in part, by the New York State Council on the Arts and New York City Depart ment of Cultural Affairs. BEAUTY OF NATURE The world has bountiful beauty For every one to share, Nature provides great treasure And has much more to spare. The world is rich in beauty For every one to hold, One needs no wealth or effort For nature’s pan of gold. WINTER There’s beauty of splendor in winter dress Like stars in heaven shine, All forest glitters with diamond lights Her beauty is divine; When king frost paints the pine trees And forest sparkling white, The silver blossoms on the trees Give children great delight. Poems by Doris Elizabeth Yanda from a collection “Canadian Tapestry" published by Co-op Press Limited, Edmonton, Alberta ЗОЛОТІ ДУМКИ Тихо — на дорозі ніхт о не бачить квіт ки справді вона така мала М и не маємо часу, щоб її бачити. Щ об бачити — треба часу Так я к треба часу щоби мати приятеля. Не іди передімною — м о ж е я не з м о ж у іти за т о бою Не іди за мною — м о ж е я не зумію провадити, Іди поруч мене і будь тільки моїм приятелем. Кращ е в двійку, я к бути самим Я к о д и н в п а д е — д р у г и й м о ж е п о м о г т и піднестися. Невідомі автори подала Х.Н. "НАШЕ ЖИТТЯ”, ГРУДЕНЬ 1987 21
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