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НАШЕ ЖИТТЯ • Січень-Лютий 2025 21 Ange Leccia, Untitled , Corsica, France, 2024. In his artworks, Leccia often blurs the boundaries between the real and the imagined, allowing for re-ex - amination of history and its implications. This approach is particularly significant in the context of Ukraine, where the war has generated a complex tapestry of narratives that challenge the official portrayal of events. Leccia’s video and large-scale vinyl wall works serve as both a witness and a participant in this unfolding real - ity, effectively transforming the audience into active spectators of a world in crisis. Through his fluid visuals, Leccia invites contemplation on the fragility of peace and the resilience of human spirit amid chaos. Moreover, Leccia’s emphasis on landscape and its representation can be seen as a poignant reflection on the shifting identities of war-torn areas. The destruction wrought by military conflict not only alters the physical landscape but also transforms the cultural and emotional landscape of a nation. In this light, Leccia’s work can be interpreted as a means of grappling with the remnants of identity, urging audiences to consider the loss of spaces that once held significance and memories tied to them. Ange Leccia’s work offers a compelling framework for understanding the complexities of the ongoing con - flict in Ukraine. By challenging perceptions of time, memory, and identity through immersive experiences, his work resonates deeply within the context of war, promoting critical engagement with the notion of nar - rative in times of upheaval. In doing so, it underscores the importance of artistic expression as a vital form of documentation and reflection in moments of social crisis. Ange Leccia’s work has been shown widely, including at the Musée d’Art Moderne de la Ville de Paris; the Centre Georges Pompidou, Paris; the Guggenheim Museum, New York; Documenta, Kassel, Germany; the Seibu Museum, Tokyo; and the Hiroshima Art Museum, Japan.
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