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“НАШЕ ЖИТТЯ”, ЖОВТЕНЬ 201 7 WWW. UNWLA.ORG 9 Are there any strategies to avoid the state registration requirement? The only sure way is not to solicit contributions from residents of states that require registration. In terms of the internet, this may be difficult and awkward. For exam ple, if an organization accepts online donations, it must insert a dis- claimer making it clear that it does not accept donations from residents of states that require registra- tion. There is software available that allows donations from specified states to b e blocked. There is possi- bly another strategy. Instead of accepting online donations through its own website, the organization could arrange for donations to go through a website operated by a donor - advised fund. 3 As you can see, compliance with state regi stration requirements is challenging, but necessary. Taking a proactive approach will avoid negative consequences, and may be the best course of action. 1. Consequences of noncompliance include state fines, late fees and penalties; civil and/or criminal a ction against officers and directors; revocation of tax - exempt status; denial of the right to solicit funds; nega- tive PR; damaged reputation with donors and grant - makers; and lost donations or grants. 2. The Unified Registration Statement (URS) was an atte mpt to make charitable solicitation application forms uniform across all states and to simplify registration. On both counts, the URS failed. Only 32 out of 41 states accept the URS, and the other 9 do not. Even of the 32 accepting the URS, 13 require supp le- mental state - specific forms. 3. Donations received through charity portals, such as networkforgood.com and justgive.org , should not give rise to a duty to register. See, Fishman & Barrett, Nonprofit Fundraising Registration: The 50 - State Guide (Nolo). P arts 4 and 5 of Parliamentarian Oksana Xenos’s convention presentation will be published sequentially in future issues of Our Life. Н АША О БКЛАДИНКА Катерина Кричевська - Росандич народилася в Києві 1926 р. Родина виїхала до Чехо - словаччини, звідти потрапила до Німеччини, а 1949 р. іміґрувала до США й поселилася в Каліфорнії. Член родини кількох поколінь відомих мистців, онука Василя Кри чевського. Вивчала живопис у Києві у мистця Івана Хворостецького аж до виїзду в 1943 р. Вчилася в Індустріяльно - художній школі у Празі. Була ув’язнена нацистами в концтаборі разом з іншими членами родини, але їм вдалося втекти. Вчилася в Гайдельберзькому у ніверситеті, брала участь у міжнародних виставках для біженців, працювала ілюстратором та графічним дизайнером. Її твори було представлено на 54 персональних та 71 групових виставках. Сьогодні їх можна бачити в приватних та музейних колекціях у США, Канаді та Україні. ________________________________ O UR C OVER A RTIST Kateryna Krychevsk y - Rosandich was born in Kyiv, Ukraine, in 1926, She emigrated with her par- ents in 1943, first to Czechoslovakia, then to Germany, and finally, in 1949, to the United States , where they settled in California. The artist is part of a family of artists and is the granddaughter of Vasyl Hry- horovych Krychevsky. She studied art in Kyiv with Ivan К hvorostetsky, continuing her education at the Industrial Art School in Prague. During the war, she was imprisoned with her family in a Nazi death camp, from which they escaped. After the war, she continued her studies at Heidelberg University, Ger- many, exhibiting her work in international refugee shows while working as a graphic designer a nd illus- trator. The artist’s work has appeared in 54 solo and 71 group exhibitions; her paintings can also be found in museums and in private collections in the United States, Canada, and Ukraine.
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